Another portrait of the same sitter

Born Mariia Sergueyevna Surovshchikova, the illegitimate daughter of a St Petersburg milliner, she studied at the Imperial Ballet academy in St Petersburg. After graduating, in 1854 she married Marius Petipa, one of the greatest choreographers of the nineteenth century, and joined the Imperial Bolshoi Kamenny Theatre in St Petersburg. She created many roles in her husband's ballets and was a great success in travesti parts. After her divorce from Marius in 1869 her career as a dancer went downhill and she retired from ballet. She briefly appeared as an actress playing Pushkin roles at the Alexandrinsky Theatre. In 1882 she died of virulent smallpox at Novocherkassk, on the river Don.

She made her Paris debut on 29 May 1861 at the Opéra in Le marché des Innocents. ‘She is truly Russian,’ wrote one contemporary critic. ‘She aspires neither to the fine classical effects of the French style, nor the warm and powerful fantasy of Italy, nor to a Spanish fury. She is a delightful caprice, ever floating between a heedless folly and a graceful melancholy, a strange mixture resulting from her Slav character.’